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• Acoustic Project Of A Conference Room Of The Secondary School “Avenir 33” (Dele?- Mont, Switzerland)

  Gino Iannace, Fabio Sicurella, Perla Colamesta, Matteo Gentilin

  31-38

  2018-06-22

• International co-operation in acoustics

  F. Ingerslev

  23-30

  1986-04-01

• The evolution of newer auditorium acoustics measures

  J.S. Bradley

  13-23

  1990-10-01

• Effect of age on sensitivity to tonality

  Danielle Minghella, Frank Russo, M. Kathleen Pichora-Fuller

  58-59

  2007-09-01

• Clarifying spectral and temporal dimensions of musical instrument timbre

  Michael D. Hall, James W. Beauchamp

  3-22

  2009-03-01

• Air Dome Acoustics

  Amelia Trematerra, Ilaria Lombardi, Gino Iannace

  17-24

  2017-06-30

• Use of portable audio devices by university students

  Shazia Ahmed, Sina Fallah, Brenda Garrido, Andrew Gross, Matthew King, Timothy Morrish, Desiree Pereira, Shaun Sharma, Ewelina Zaszewska, Kathy Pichora-Fuller

  35-52

  2007-03-01

• Expressing tonal closure in music performance: Auditory and visual cues

  Donovon Keith Ceaser, William Forde Thompson, Frank Russo

  29-34

  2009-03-01

• The Acoustics of the Holy Family Church in Salerno

  Gino Iannace, Giuseppe Ciaburro, Amelia Trematerra

  2020-03-17

• Comparison of a multi-purpose hall with three well-known concert halls

  J.S. Bradley

  3-10

  1991-04-01

• Noise Suppression in Cellular Telephony

  Malay Gupta, Chris Forrester, Sean Simmons

  78-79

  2009-09-01

• Architectural acoustics: Some historical developments and ongoing issues

  John S. Bradley

  21-31

  2009-09-01

• An initial exploration of parallelism in music: Equi-temporal three-tone diatonic sequences

  B.W. Frankland

  36-37

  2006-09-01

• Sources of variations in long term speech spectra: literature review

  B. Harmegnies

  9-35

  1992-06-01

• Acoustic Correction of a Renaissance Period Hall

  Gino Iannace, Giuseppe Ciaburro, Amelia Trematerra, Corrado Foglia

  57-66

  2019-07-03

• Changes in melodic perception as a function of age and lowest harmonic component

  Huiwen Goy, D. Timothy Ives, Frank A. Russo, M. Kathleen Pichora-Fuller, Roy D. Patterson

  184-185

  2009-09-01

• Acoustic Design of the New Ford Theatre, Vancouver

  J. C. Swallow

  59-60

  1995-09-01

• Harmonographics: Physics of an Artistic Novelty of the Victorian Era

  Rachel Zimmerman

  31-31

  1991-04-01

• Smart Lab Research: An Overview

  Monique C. Tardif, Paolo Ammirante, Frank A. Russo

  40-41

  2016-05-30

• Psychology-based rhythmic transformations

  Francisco Gómez, Imad Khoury, Godfried Toussaint

  48-49

  2007-09-01

• Tuning Past and Present

  Ted Sambell, Denis Brassard

  29-29

  1996-09-01

• Reverberation measurement and prediction in gymnasia with non-uniformly distributed absorption; The importance of diffusion

  Kevin Packer, Clifford Faszer

  31-36

  2011-03-01

• Development and validation of a sensory-substitution technology for music

  Carmen Branje, Michael Maksimowski, Gabe Nespoli, Maria Karam, Deborah Fels, Frank Russo

  186-187

  2009-09-01

• Cross-modal integration in music perception

  Michael Maksimowski, Frank Rosso

  102-103

  2008-09-01

• Recognizing familiar and foreign words and music by children and adults: An examination of the critical period hypothesis

  Elizabeth D. McFadden, Annabel J. Cohen

  26-27

  2003-09-01