An audio-visual perception study of Bulgarian and Russian palatalized consonants

Authors

  • Sonia Pritchard Dept. of Linguistics, University of Ottawa, 70 Laurier Ave. East, ON, Canada

Keywords:

Audio acoustics, Amount of information, Audio-visual, Audio-visual perceptions, Male speakers, Number of gates, Visual information

Abstract

An audio-visual perception study of Bulgarian and Russian palatalized consonants is presented. The implication is that the secondary palatal gesture is not enough to cue the perception of these consonants. In a gating task, a subject hears a stimulus over a number of gates, and at each gate an increased amount of information is available. Auditory-only and audio-visual gating tasks were performed in order to establish how much auditory and visual information a listener needs in order to identify a consonant as palatalized. The stimuli were produced by 2 male speakers of Russian and Bulgarian. They were recorded in a sound-proof booth. Noise was introduced to the sound file of the audio-visual condition to encourage the subjects to attend to the visual information. This study aims to compare the perception of palatalized consonants in Standard Bulgarian and Standard Russian.

Additional Files

Published

2011-09-01

How to Cite

1.
Pritchard S. An audio-visual perception study of Bulgarian and Russian palatalized consonants. Canadian Acoustics [Internet]. 2011 Sep. 1 [cited 2024 Sep. 20];39(3):188-9. Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/2474

Issue

Vol. 39 No. 3 (2011)

Section

Proceedings of the Acoustics Week in Canada

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.