Measurements of Acoustical Parameters in the Roman Theatre of Verona
Abstract
The attention by the scholars to the acoustics of ancient open-air theatres is increased considerably through the centuries and among the historical buildings survived to nowadays the acoustics of the Roman theatre of Verona has not been deeply investigated, yet. In this paper, the outcomes of the acoustic survey undertaken in the Roman theatre has been analysed in two different ways: by a standard methodology representing the graphs of the acoustic parameters, and by the creation of a video showing in real-time the impulse response (IR) and relative reflections occurred at the surfaces of the cavea. The latest technique has been realised by using a multichannel spherical microphone array, which calls back the MIMO approach that is capable to have complete spatial control of the sound propagation through space. The authors of this paper illustrate a brief history of the theatre, including the description of the construction elements that characterise this important historical building, and two distinct procedures to show the results obtained after the survey, highlighting the coplanarity of explanation by using the MIMO approach, as followed by the second methodology.
Additional Files
Published
How to Cite
Issue
Section
License
Author Licensing Addendum
This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:
-
Retained Rights: The Author(s) retain(s) the following rights:
- The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
- The right to use the Work in the Author's teaching activities and presentations.
- The right to include the Work in a compilation for the Author's personal use, not for sale.
-
Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.
-
Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.
-
No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.
-
Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.