Perception of musical tonality as assessed by the probe-tone method

Authors

  • W.R. Steinke Dept. of Psychol., Queen's Univ., Kingston, Ont., Canada
  • L.L. Cuddy Dept. of Psychol., Queen's Univ., Kingston, Ont., Canada
  • R.R. Holden Dept. of Psychol., Queen's Univ., Kingston, Ont., Canada

Keywords:

hearing, musical acoustics, psychology, sensory account, perception, musical tonality, probe-tone method, tonal hierarchy, cognitive accounts, predictor variables

Abstract

The purpose of the experimental research reported in this presentation was twofold: (1) to assess the reliability of the probe-tone technique as a method of recovering listeners' representations of the tonal hierarchy; and (2) to examine both sensory and cognitive accounts of the data by comparing the relative success of selected predictor variables

Additional Files

Published

1993-09-01

How to Cite

1.
Steinke W, Cuddy L, Holden R. Perception of musical tonality as assessed by the probe-tone method. Canadian Acoustics [Internet]. 1993 Sep. 1 [cited 2024 Sep. 18];21(3):85-6. Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/786

Issue

Vol. 21 No. 3 (1993)

Section

Proceedings of the Acoustics Week in Canada

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.