A Review Of Automatic Musical Instrument Classification Based On Sound Recognition System

Authors

  • Wong Tee Hao Mr
  • Rahizar Ramli
  • Ahmad Saifizul
  • Soong Ming Foong

Keywords:

Musical instrument classification, Machine learning, Feature extraction, Automatic classification

Abstract

This paper presents a review of research on musical instrument classification which employed the machine learning system. The two main steps in the automatic classification task are discussed, the feature extraction and the classification. The musical instrument classification follows the Hornbostel-Sachs system. In the feature extraction, the relevant features that are commonly used in the literature are listed and organized in a taxonomy which is divided according to the domain of computation. Different classification techniques that are widely used by the researchers is also presented and reviewed.

Author Biographies

Rahizar Ramli

Department of Mechanical Engineering, University of Malaya

Ahmad Saifizul

Department of Mechanical Engineering, University of Malaya

Soong Ming Foong

Department of Mechanical Engineering, University of Malaya

Additional Files

Published

2021-12-27 — Updated on 2022-07-25

Versions

How to Cite

1.
Tee Hao W, Rahizar Ramli, Ahmad Saifizul, Soong Ming Foong. A Review Of Automatic Musical Instrument Classification Based On Sound Recognition System. Canadian Acoustics [Internet]. 2022 Jul. 25 [cited 2024 Nov. 18];49(4). Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/3427

Issue

Vol. 49 No. 4 (2021)

Section

Article - Musical Acoustics / Electroacoustics

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.