The effect of mouth opening levels on acoustic parameters of voice signal
Keywords:
fundamental frequency, formant frequencies, mouth opening levels, jitter, shimmer, harmonic to noise ratio, vowel /a/Abstract
Objectives: This study examined the effect of three different mouth opening levels on fundamental frequency, jitter, shimmer, harmonic to noise ratio, first formant frequency, second formant frequency and first two formants ratio in Producing vowel /a/.
Study design: simple random sampling strategy was used to recruit 36 participants. 18 females and 18 males between age 18 to 29 years were recruited.
Methods: the participants sustained vowel /a/ 7 seconds. The first 1 second and the last 1 second of the vowel were omitted in order to eliminate the vowel initiation and termination effect from the audio signal and, thereby, the middle 5 seconds were analyzed to derive acoustic parameters. Seven infrared cameras recorded mouth opening and head movements.
Results: The results showed that mouth opening level is only effective on fundamental frequency (p=0.009<0.05), shimmer (p=0.033<0.05) and first formant frequency (p=0.004<0.05).
Conclusions: An open jaw posture places the larynx in a lower position which causes a more relaxed phonation that reduce fundamental frequencyand increase shimmer. Mouth opening level has an inverse relationship with first formant frequency.
Additional Files
Published
How to Cite
Issue
Section
License
Author Licensing Addendum
This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:
-
Retained Rights: The Author(s) retain(s) the following rights:
- The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
- The right to use the Work in the Author's teaching activities and presentations.
- The right to include the Work in a compilation for the Author's personal use, not for sale.
-
Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.
-
Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.
-
No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.
-
Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.