Preliminary results on string instrument recognition

Auteurs-es

  • Jason Smalridge Dept. of Mechanical and Industrial Engineering, Concordia University, Montreal, Canada
  • Luis Rodrigues Dept. of Mechanical and Industrial Engineering, Concordia University, Montreal, Canada
  • Lisa Lorenzino Schulich School of Music, McGill University, Montreal, Canada

Mots-clés :

Acoustic signal processing, Acoustic waves, Fast Fourier transforms, Automatic instrument recognizer, String instrument recognition

Résumé

This paper analyzes and compares the spectrum of three string instruments obtained from the Fast Fourier Transform of the sound waves. It is shown that comparing the spectrums of different instruments holds a strong potential to be used as a first stage of an automatic instrument recognizer.

Fichiers supplémentaires

Publié-e

2007-09-01

Comment citer

1.
Smalridge J, Rodrigues L, Lorenzino L. Preliminary results on string instrument recognition. Canadian Acoustics [Internet]. 1 sept. 2007 [cité 13 mai 2026];35(3):50-1. Disponible à: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/1895

Numéro

Vol. 35 No. 3 (2007)

Rubrique

Actes du congrès de la Semaine canadienne d'acoustique

Licence

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.

Articles les plus lus du,de la,des même-s auteur-e-s