Outdoor Concert Noise: The Kitchener, Ontario Experience

Auteurs-es

  • Lucas Arnold Novus Environmental
  • Darron Chin-Quee Novus Environmental
  • Scott R.L. Penton <p>Novus Environmental</p>

Résumé

Outdoor music festivals have the potential to cause adverse public reaction and noise complaints, particularly from surrounding residential neighbourhoods.  At times, seemingly random noise complaints occur, with clusters of complaints occurring in areas well removed from the venue, while adjacent nearby neighbourhoods experience little to no noise.  This paper examines the experience in Kitchener, Ontario with The Ever After Music festival, a three-day electronic music festival run in the City since 2015.  In its inaugural year, the festival prompted 57 noise complaints, with 7 the next year in 2016, and approximately 100 alone on the final concert night of 2017.  Efforts of the promoters and the City to reduce noise impacts, including controls that were put in place, are reviewed and compared to those used in other jurisdictions.  Potential event specific relationships between complaint locales, weather, and meteorological effects are also reviewed, as determined through noise propagation modelling and where available, measured sound levels.

Bibliographies de l'auteur-e

Lucas Arnold, Novus Environmental

Acoustics, Noise, and Vibration Engineer

Darron Chin-Quee, Novus Environmental

Principal, Acoustics Specialist

Scott R.L. Penton, <p>Novus Environmental</p>

Principal, Acoustics Specialist

Fichiers supplémentaires

Publié-e

2017-12-18

Comment citer

1.
Arnold L, Chin-Quee D, Penton SR. Outdoor Concert Noise: The Kitchener, Ontario Experience. Canadian Acoustics [Internet]. 18 déc. 2017 [cité 12 juill. 2024];45(4):22-3. Disponible à: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/3177

Numéro

Vol. 45 No. 4 (2017)

Rubrique

Actes du congrès de la Semaine canadienne d'acoustique

Licence

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.