Le 26ème International Congress on Sound and Vibration : derrière la scène

Auteurs-es

Résumé

L'International Institute of Acoustics and Vibration (IIAV) et l'Association canadienne d'acoustique (CAA) ont eu le plaisir d'inviter des scientifiques et des ingénieurs du monde entier à participer au 26e Congrès international sur le son et les vibrations (ICSV26) qui s'est tenu à Montréal du 7 au 11 juillet 2019. Cet événement a été un grand succès, avec 1015 résumés reçus, 861 participants, 829 présentations, 52 pays*, 45 sessions structurées, 31 sessions régulières, 31 présidents de zones thématiques, 27 volontaires, 25 exposants, 15 zones thématiques, 9 événements sociaux, 6 conférences plénières, 4 journées chaudes et ensoleillées, 3 visites scientifiques et 1 lieu unique.  Ce rapport présente les faits saillants de la conférence dans l'espoir d'aider les futurs organisateurs de conférence.

Fichiers supplémentaires

Publié-e

2019-11-05

Comment citer

1.
Voix J. Le 26ème International Congress on Sound and Vibration : derrière la scène. Canadian Acoustics [Internet]. 5 nov. 2019 [cité 22 nov. 2024];47(4). Disponible à: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/3360

Numéro

Vol. 47 No. 4 (2019)

Rubrique

Autres rubriques

Licence

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.