How urban hum became the noise limit in ontario

Authors

  • Tim Kelsall Hatch, 2800 Speakman Drive, Mississauga, Ont. L5K 2R7

Keywords:

Environmental impact, Job analysis, Laws and legislation, Municipal engineering, Traffic control, Urban planning, Community reaction, Sound level, Traffic noise, Urban hum

Abstract

Since 1978 MOE has used the equivalent sound level of urban hum, that amalgam of distant traffic and other sounds which forms the background noise in most urban and suburban areas, as the primary limit for assessing the noise impact from industry and other sound sources. This means that the limit to be used at a specific location is based on the sound actually received at that location, rather than an arbitrary number. This has made sense to industry, residents and consultants, who have used this limit for over 25 years. It has also been used in a Federal-Provincial guideline and many practical limits are found to be based indirectly on urban hum. In this paper, the origins of this limit are explored and some of the issues which were examined at that time and later are discussed. How urban hum behaves, how widespread it is and how it is used as a limit are also reviewed.

Downloads

Published

2004-09-01

How to Cite

1.
Kelsall T. How urban hum became the noise limit in ontario. Canadian Acoustics [Internet]. 2004 Sep. 1 [cited 2023 Sep. 21];32(3):44-5. Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/1619

Issue

Vol. 32 No. 3 (2004)

Section

Proceedings of the Acoustics Week in Canada

License

Copyright on articles is held by the author(s). The corresponding author has the right to grant on behalf of all authors and does grant on behalf of all authors, a worldwide exclusive licence (or non-exclusive license for government employees) to the Publishers and its licensees in perpetuity, in all forms, formats and media (whether known now or created in the future)
i)    to publish, reproduce, distribute, display and store the Contribution;
ii)    to translate the Contribution into other languages, create adaptations, reprints, include within collections and create summaries, extracts and/or, abstracts of the Contribution;
iii)    to exploit all subsidiary rights in the Contribution,
iv)    to provide the inclusion of electronic links from the Contribution to third party material where-ever it may be located;
v)    to licence any third party to do any or all of the above.