Noise Control for High Plume Exhaust Fans: A Case Study
Abstract
High plume exhaust fans are a notable source of noise for institutions that use fume hoods. These fans are intended toaddress local air quality effects without the need for tall stacks. This is done through the use of high air velocity to propel airemissions upwards. The exhaust is also mixed with dilution air directly at the exhaust point. It is common practice for twoor more units to operate together from a common mixing plenum. The fans exhaust a constant flowrate and compensate forthe change in fume hood airflows by drawing air into the mixing plenum through a bypass damper. The noise emissionlocations are therefore the exhaust point, the bypass intake, fan casing, and the casing of the mixing plenum. Each of theseemission locations becomes significant when large sound level reductions are needed. Large reduction amounts can benecessitated by strict sound level criteria, or close proximity to the points of reception. In the case illustrated here, the pointsof reception were close to the fans. A sound level reduction of approximately 25 dB was needed from the entire system. Itwas therefore necessary to mitigate all of the emission points to achieve an effective overall reduction. Mitigation solutionsproviding this level of reduction are not available from the manufacturer. A supplier focussed on custom noise mitigationwas retained to design, manufacture and install a package of mitigation measures. The final product achieved the necessaryreductions and resulted in a much more pleasant acoustic environment in adjacent areas.Additional Files
Published
How to Cite
Issue
Section
License
Author Licensing Addendum
This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:
-
Retained Rights: The Author(s) retain(s) the following rights:
- The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
- The right to use the Work in the Author's teaching activities and presentations.
- The right to include the Work in a compilation for the Author's personal use, not for sale.
-
Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.
-
Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.
-
No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.
-
Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.