Traffic Noise Transmitted Indoors

Authors

Keywords:

sound transmission, traffic noise, building facade

Abstract

In numerous countries, traffic noise is widely acknowledged as a highly disturbing form of pollution. Given that individuals
spend a substantial portion of their day indoors, the impact of traffic noise perceived indoors is of considerable significance. To establish appropriate sound insulation requirements for buildings, it is essential to correlate subjective annoyance with objective ratings. This paper reviews the theoretical assumptions behind the regulations implemented by some countries and introduce the basic approach for the determination of acoustic performance of facades, utilizing Germany and Brazil as examples.

Additional Files

Published

2024-05-12

How to Cite

1.
Zeitler B, Cunha I, Schneider M, Müller-Trapet M. Traffic Noise Transmitted Indoors. Canadian Acoustics [Internet]. 2024 May 12 [cited 2024 Dec. 10];52(1). Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/4192

Issue

Vol. 52 No. 1 (2024): Proceedings of Acoustics Week in Canada 2024 Conference joint with 186th Meeting of the Acoustical Society of America

Section

Proceedings of the Acoustics Week in Canada

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.