Geography of acoustic (musical) sands

Authors

  • G.O. Tapper Laurentian Univ, Sudbury, Canada
  • M.F. Leach Laurentian Univ, Sudbury, Canada
  • D.E. Goldsack Laurentian Univ, Sudbury, Canada

Keywords:

Acoustics, Geographical regions, Meteorology, Sand, Singing sands

Abstract

Geographically the distribution of 'musical' sands shows the phenomenon on all continents. Sites are associated with both sere desert environments and lacustrine, riverine and oceanic shorelines. Musical sands are formed by: (1) a wet cycle to 'wash' or purify the sand; (2) a dry cycle, when combined with a wet cycle create conditions under which the 'coating' (silica gel) on individual sand grains is chemically produced; (3) a 'windy' location to dry and polish the sand grains, and further, allowing a 'stacked-up' unstable position, allowing the generation of acoustic resonance upon slope failure or slip.

Additional Files

Published

1997-09-01

How to Cite

1.
Tapper G, Leach M, Goldsack D. Geography of acoustic (musical) sands. Canadian Acoustics [Internet]. 1997 Sep. 1 [cited 2024 Nov. 22];25(3):37-. Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/1102

Issue

Vol. 25 No. 3 (1997)

Section

Proceedings of the Acoustics Week in Canada

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.

Most read articles by the same author(s)