BRAMSBioBox: Developing an open research platform for audio and biosignals monitoring

Authors

  • Floris van Vugt Département de Psychologie, Université de Montréal, Montréal, Canada
  • Valentin Pintat École de technologie supérieure, Montréal (QC)<br />
  • Dawn Merrett Département de Psychologie, Université de Montréal, Montréal, Canada
  • Simone Dalla Bella Département de Psychologie, Université de Montréal, Montréal, Canada
  • Jérémie Voix École de technologie supérieure, Montréal (QC)

Abstract

Over the recent years, researchers in various areas ranging from music neuroscience to cognitive psychology have been interested in understanding how music can be "embodied". To accelerate such research, a comprehensive hardware and software platform has been recently developed. Such platform, nicknamed "BRAMSBioBox", is featuring off-the-shelf electronic components and open-source data acquisition and synchronisation stacks. The current capabilities of the BRAMSBioBox will be demonstrated and illustrative research projects will be presented in various domains including non-musical ones.

Additional Files

Published

2023-09-01

How to Cite

1.
van Vugt F, Pintat V, Merrett D, Dalla Bella S, Voix J. BRAMSBioBox: Developing an open research platform for audio and biosignals monitoring. Canadian Acoustics [Internet]. 2023 Sep. 1 [cited 2024 Nov. 3];50(3):60-1. Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/3824

Issue

Vol. 50 No. 3 (2022)

Section

Proceedings of the Acoustics Week in Canada

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.

Most read articles by the same author(s)

<< < 2 3 4 5 6 7 8 > >>