Human-centered design of acoustic and vibratory components for multimodal display systems

Auteurs-es

  • William L. Martens Faculty of Music, McGill University, 555 Sherbrooke Street W., Montreal, Que. H3A 1E3, Canada

Mots-clés :

Acoustic noise, Computer simulation, Degrees of freedom (mechanics), Display devices, Loudspeakers, Teleconferencing, Transducers, Vibrations (mechanical), Multimodal displays, Sound sources, Time order judgement (TOJ)

Résumé

The acoustic stimulus generation in multimodal display systems was investigated. The multimodal display technology was used to reproduce a remotely captured event. In the study, the stimuli were selected as the most representative from a number of transient sound sources that were recorded in a rectangular shaped music hall at McGill University. The vibratory stimulus was generated by gating to a 30 ms duration of the initial portion of the audio signal. It was observed that for most natural impression, the vibration could not lead the acoustic stimulus.

Fichiers supplémentaires

Publié-e

2004-09-01

Comment citer

1.
Martens WL. Human-centered design of acoustic and vibratory components for multimodal display systems. Canadian Acoustics [Internet]. 1 sept. 2004 [cité 30 avr. 2026];32(3):128-9. Disponible à: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/1661

Numéro

Vol. 32 No. 3 (2004)

Rubrique

Actes du congrès de la Semaine canadienne d'acoustique

Licence

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.