Reverberation chamber measurement of theatre chair absorption
Keywords:
acoustic wave absorption, architectural acoustics, porous materials, reverberation, theatre chair, sound-absorbing properties, absorption coefficients, reverberation chamber tests, porous absorbing materialsAbstract
In most auditoria, theatre chairs and their occupants are the major source of sound-absorbing material. Knowledge of their sound-absorbing properties is critical to the acoustical design of an auditorium. Although the effects of the chairs and their occupants were first predicted in terms of the total absorption per chair, Beranek has suggested that it is better to describe the effects in terms of the absorption coefficients of the audience seating areas. The results of reverberation chamber tests on small samples are used to estimate the sound absorbing-properties of materials in rooms. Such tests have been found to overestimate the effects of standard porous absorbing materials due to both edge absorption and diffraction effects. For these simple materials, the measured absorption coefficients have been found to relate approximately linearly to the ratio of perimeter/area, of the samplesAdditional Files
Published
How to Cite
Issue
Section
License
Author Licensing Addendum
This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:
-
Retained Rights: The Author(s) retain(s) the following rights:
- The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
- The right to use the Work in the Author's teaching activities and presentations.
- The right to include the Work in a compilation for the Author's personal use, not for sale.
-
Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.
-
Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.
-
No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.
-
Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.