Effect of aging on spatial hearing

Authors

  • Sharon M. Abel Univ of Toronto, Toronto, Canada
  • Angela Consoli Univ of Toronto, Toronto, Canada
  • Christian Giguere Univ of Toronto, Toronto, Canada
  • Blake C. Papsin Univ of Toronto, Toronto, Canada

Keywords:

Geriatrics, Physiology, Binaural cues, Sound localization, Spatial hearing

Abstract

Auditory spatial acuity begins to deteriorate by middle age. Later deficits may reflect age-related degeneration of the peripheral and central auditory pathways, which could interfere with the encoding of binaural and spectral cues that are essential for accurate sound localization. This hypothesis is tested by measuring the utilization of such cues from adolescence to old age. Sixteen subjects aged 10 to 79 grouped by age were screened for hearing loss in the region of 0.5-4 kHz. With aging, there was a decline with the use of binaural cues, and greater difficulty with front/back discrimination. Left frontal superiority may reflect a right hemisphere advantage either for spatial acuity or for the processing of complex spectral information.

Additional Files

Published

1998-09-01

How to Cite

1.
Abel SM, Consoli A, Giguere C, Papsin BC. Effect of aging on spatial hearing. Canadian Acoustics [Internet]. 1998 Sep. 1 [cited 2024 Nov. 21];26(3):68-9. Available from: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/1161

Issue

Vol. 26 No. 3 (1998)

Section

Proceedings of the Acoustics Week in Canada

License

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.

Most read articles by the same author(s)

1 2 3 4 5 > >>