Acquisition of musical vernacular in children, pre-adolescents, and young adults

Auteurs-es

  • Betty A. Bailey University of Prince Edward Island, 550 University Ave., Charlottetown, PEI, C1A 4P3, Canada
  • Annabel J. Cohen University of Prince Edward Island, 550 University Ave., Charlottetown, PEI, C1A 4P3, Canada

Mots-clés :

Audio equipment, Correlation methods, Mathematical models, Musical vernacular

Résumé

The period of acquisition of musical vernacular in children, pre-adolescents, and young adults was determined. The superior memory of young adults for music in recent familiar styles suggests that acquisition of the rules of the musical vernacular also coincides with the time during adolescence. It was found that exposure to many styles of music during the early sensitive period may provide a broad basis for the appreciation of multiple musical idioms throughout life.

Fichiers supplémentaires

Publié-e

2002-09-01

Comment citer

1.
Bailey BA, Cohen AJ. Acquisition of musical vernacular in children, pre-adolescents, and young adults. Canadian Acoustics [Internet]. 1 sept. 2002 [cité 15 mai 2026];30(3):154-5. Disponible à: https://jcaa.caa-aca.ca/index.php/jcaa/article/view/1501

Numéro

Vol. 30 No. 3 (2002)

Rubrique

Actes du congrès de la Semaine canadienne d'acoustique

Licence

Author Licensing Addendum

This Licensing Addendum ("Addendum") is entered into between the undersigned Author(s) and Canadian Acoustics journal published by the Canadian Acoustical Association (hereinafter referred to as the "Publisher"). The Author(s) and the Publisher agree as follows:

  1. Retained Rights: The Author(s) retain(s) the following rights:

    • The right to reproduce, distribute, and publicly display the Work on the Author's personal website or the website of the Author's institution.
    • The right to use the Work in the Author's teaching activities and presentations.
    • The right to include the Work in a compilation for the Author's personal use, not for sale.

  2. Grant of License: The Author(s) grant(s) to the Publisher a worldwide exclusive license to publish, reproduce, distribute, and display the Work in Canadian Acoustics and any other formats and media deemed appropriate by the Publisher.

  3. Attribution: The Publisher agrees to include proper attribution to the Author(s) in all publications and reproductions of the Work.

  4. No Conflict: This Addendum is intended to be in harmony with, and not in conflict with, the terms and conditions of the original agreement entered into between the Author(s) and the Publisher.

  5. Copyright Clause: Copyright on articles is held by the Author(s). The corresponding Author has the right to grant on behalf of all Authors and does grant on behalf of all Authors, a worldwide exclusive license to the Publisher and its licensees in perpetuity, in all forms, formats, and media (whether known now or created in the future), including but not limited to the rights to publish, reproduce, distribute, display, store, translate, create adaptations, reprints, include within collections, and create summaries, extracts, and/or abstracts of the Contribution.

Articles les plus lus du,de la,des même-s auteur-e-s